Greasy lake short story full text pdf Http:www.eastoftheweb.comshort-storiesUBooksInte.shtml. Killers, The by.Hills Like White Elephants by Ernest Hemingway from Charters, Ann, Ed. The Story and its Writer: An Introduction to Short Fiction. The birds short story full text pdf Boston: BedfordSt.The Storm, a Short Story by Kate Chopin. See full list on penlighten.com. Greasy Lake essays Like the lake, the main characters are so adumbrated that you cannot see their true selves. In the story 'Greasy Lake,' T.C. Boyle uses diction, imagery, details, language, and syntax to express the narrator's facetious tone. See full list on enotes.com. Greasy Lake Lyrics There was a time when courtesy and winning ways went out of style, when it was good to be bad, when you cultivated decadence like a taste. We were all dangerous characters then.
Greasy Lake written by T. Coraghessan Boyle is the tale of a young man completely living a life full of rebellion and loving it. He is brought to reality and the consequences of attempting to live the ‘bad life’. As the story starts to end, we see him broken by his actions and gets a real look into what the bad life brings.
Boyle’s main character and his two friends are looking to be the bad kids with a “we don’t give a shit about anything” attitude (Boyle 1233). The main character is a nineteen year old under the influence of drugs, alcohol, peer pressure, and the freedom that comes with summer break. Accompanied by two friends of the same age (Digby and Jeff), they all want to find a way to make this summer worth remembering.
He and his friends Digby and Tony go down to Greasy Lake and they never thought of the reason why they wanted to go they just went because that’s where everyone goes. They just wanted to have a good time and enjoy some cheap thrills. They wanted to, “sniff the scent of possibility, watch a girl take off her clothes, drink beer, smoke pot, and listen to the incongruous full-throated roar of rock and roll against the primeval susurrus of frogs and crickets…This is nature” (Boyle 1233).
His friends influence every decision he makes and they support his bad decisions no matter the cost. The friends are described as, “dangerous characters”, Digby ‘allowed’ his father to pay his tuition and Jeff was contemplating dropping out of school to become a painter/musician/ head-shop proprietor (Boyle 1233). After the main character and his friends had made their rounds at all the closing bars, ate all they could, harassed hitchhikers, and vandalized property, they made their way down to Greasy Lake. Greasy lake is their last visit for the night, so of course they feel the need to go and try to embarrass their friend Tony Lovett, who they think is in his car having a good time with a foxy young lady. They start to realize that it is not his car but actually a “bad character in greasy jeans and engineer boots” (Boyle 1234).
At this point he begins to think about his bad choice, when before he wouldn’t even come close to thinking about it. He remembers his first mistake was dropping his keys after jumping out of the car; the second was mistaking the blue Chevy to be Tony Lovett’s. Seeing the bad character that hopped out of the car was not looking to be nice, he now sees the difference between right and wrong. After being sprawled out in the dirt by a kick from the bad character in the blue Chevy, the protagonist becomes less nonchalant about his situation. He thinks about the bad situation, “knowing things had gone wrong, that I was in a lot of trouble, and that the lost ignition key was my grail and my salvation” (Boyle 1234). He knocked out the guy with one swing of a tire iron he had in the car.
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While looking at the guy he begins to realize what he did and he was thinking about, “headlines, pitted faces of police inquisitors, the gleam of handcuffs, clank of bars, the big black shadows rising from the back of the cell…” (Boyle 1235). The whole time the main character thinks that he may have murdered the guy. Now thinking about jail time for murder and an attempted rape, he thinks of himself different from everyone else. Fifa 10 cd key generator. Now being bad is no longer good. The teenagers run away into the woods away from the scene and away from everything that just happened. As the protagonist is running he is “imagining cops and bloodhounds” trekking through the muddy polluted water looking for him (Boyle 1236). The main character runs into a corpse, and he is horrified and begins to be sorry about his actions. The corpse was a symbol of what the bad life brought, and he begins to go against his decision to being bad.
In light of seeing the dead body and believing he killed the greasy character in the engineer boots he considers: “I was nineteen, a mere child, an infant, and here in the space of five minutes I’d struck down one greasy character and blundered into the waterlogged carcass of a second” (Boyle 1236). The greasy character he had struck with the tire iron and two blondies that pulled up during the attempted rape had pulverized his mother’s bel-air.
At the end of the story, the protagonist has changed his perspective on life. He no longer deems the bad life good, seeing what the bad life resulted in. The greasy character and the blonde jocks are long gone as the protagonist emerges from the muddy waters. “I pushed myself up from the mud and stepped into the open”; this line is symbolic of the protagonist’s mental shift from dark to light.
Greasy Lake Text
Assessing the damage to his mother’s car, the protagonist looks to his friend Digby who states, “at least they didn’t slash the tires” (Boyle 1238). It is ironic that the protagonist rebelled against standards and regulations, however, those tires set to regulation was his savior out a bad situation and back to normalcy. Here at the stories end, the protagonist is broken, sympathetic for the druggy, the dead man in the lake, and contrite over his foolishness in wanting to be bad.
Greasy Lake Pdf
They drive until the ?street lights give way to the thin streaming illumination of the headlights? of their car?until they lose civilization. Although Greasy Lake is described as ?fetid and murky,? this is merely its physical representation. The protagonist and his buddies are unaware of the clarifying effect the water will have upon their lives. The true power of the lake, overlooked by the protagonist, lies in its long forgotten past. The narrator himself alludes to the lake?s early history, recalling its previous name of ?Wakan, a reference to the clarity of its waters.? Once the protagonist and his friends enter the realm of the lake, it indeed clarifies the obscurity of the these boys? selves. On a more literal level, the narrator says he ?spilled? his keys, an action which he credits as ?the one that opened the whole floodgate? which is this night. This idea is extended as the narrator attempts to find his lost keys, ?peering vaguely into the night that puddled up round [his] feet? (80-81). The metaphor of water in ?Greasy Lake? elicits the fluctuating nature of the universe encompassed in the lake itself. The lake is seemingly a microcosm. It encompasses all of ?nature,? and is responsible for both cause and natural resolution of conflcit. The narrator?s use of liquid imagery describes that which he contends with, yet at the same time, that which will eventually enlighten him. The protagonist?s journey to